Schubert’s Late Works: String Quintet — Peace Before Death
Franz Schubert’s String Quintet in C major, D.956 stands at a rare point where beauty and sorrow exist in quiet balance.

Written in the final weeks of his life in 1828, it is one of Schubert’s last major works; he died at thirty-one without ever hearing it performed. Yet despite its closeness to death, the music speaks less of despair than of a quiet, searching peace.
Below is a complete performance of the work. The second movement (Adagio), often regarded as its emotional heart, begins at 14:50.
Schubert's Final Masterpiece
The year 1828 was one of extraordinary creativity for Schubert. In his final months, he completed several major works, including the Piano Sonata in B-flat Major, D.960, and the String Quintet in C Major.
Unlike the traditional string quintet, which typically adds a second viola, Schubert instead chose a second cello, creating a richer, warmer sound with unusual depth. Across the work, moments of tension and tenderness coexist, yet the music repeatedly returns to calm.
The Adagio
The second movement, Adagio, is often regarded as the most reflective part of the work. It opens with one of Schubert’s most serene passages, where the instruments move slowly above a gentle pulse, creating a stillness that feels almost outside of time.
A darker middle section briefly interrupts this peace with agitation and uncertainty. When the opening music returns, it feels changed—transformed rather than untouched by suffering. The movement settles not into innocence, but into peace, holding sorrow and serenity in quiet balance.
A Christian Reflection on Peace
The peace heard in Schubert’s late music can remind Christians of a different kind of peace described in Scripture.
Biblical peace is not the absence of difficulty, but a confidence that rests beyond circumstances.
“The peace of God, which surpasses all understanding” (Philippians 4:7)
Life includes uncertainty, loss, and unanswered questions. Yet Christian hope looks beyond them to God’s faithfulness. Like the stillness that returns in the Adagio, faith does not deny suffering—it places it within a larger story.
Nearly two centuries later, Schubert’s String Quintet continues to move listeners with its rare combination of vulnerability and serenity. Standing near the end of his life, Schubert created music that speaks not primarily of death, but of peace.
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